Overseas media exhibition project of Chinese Artists, Li Wencheng

The report of the 19 th National Congress of the Communist Party of China put forward: “Cultural self-confidence.” The manifesto of this era also points out that culture is the soul of a country and a nation. Prosperity of culture means prosperity of the country, and a strong culture means a strong nation. Without a high degree of cultural confidence and cultural prosperity, there would be no great rejuvenation of the Chinese nation. Culture is the backbone and soul of a nation. It creates the soul and character of a country and a nation. A nation can exist in the world only if it has cultural self-confidence. Only when the people have faith can the country have strength and the nation have hope. Cultural self-confidence is the most important factor contributing to these goals.

Mr. Li Wencheng was born in Fuyang, Anhui Province in 1952. He spent 20 years training in the military camp and 20 years working in the police field. He is currently a national first-class calligrapher, a member of Calligraphers Association of Central State Organs, vice president and secretary general of Anhui Legal Workers Painting and Calligraphy Association, editor-in-chief of Anhui Legal Painting and Calligraphy, director of Anhui Mao Zedong Calligraphy Art Research Association, signing artist of Confucius Art Museum, deputy editor-in-chief of Great Classics of Chinese Buddhist Temples, and editor-in-chief of Great Classics Anhui Volume. In 2019, he was included in the book Contemporary Chinese Artists.

His love of calligraphy has been accompanied by his study, work and life for decades. When he was a teenager, he loved calligraphy, and used his spare time to teach himself on old exercise books, waste newspapers, pot covers and grey ground. He first copied Zhao, Yan and Liu’s regular script, then Wang’s running script and cursive script. In the past ten years, he has focused on Jin Wen and Da Zhuan.

Since the mid-1970s, he has studied with famous artists such as Ge Jieping and Jing Tao. Since 1980s, his calligraphy works have spread to Japan and Taiwan. His calligraphy works have participated in calligraphy exhibitions organized by the national political and legal system, such as the Light of the National Guardian, and won the Excellence Award. He has participated in major exhibitions held by Anhui Calligraphers Association, Provincial Calligraphy Association, Provincial Legal Calligraphy Association, Provincial Maoti Calligraphy Association, Anhui Local Records System Disaster Relief Book Fair, etc., and won many silver awards and excellent awards. He also participated in many charity sales in Anhui, Wenchuan and Ya ‘an. In recent years, he has written and published many articles on calligraphy theory, which are widely praised by readers. Moreover, he insisted on modeling and creation for a long time. In May 2019, the work was included in the special issue of “Famous Chinese Contemporary Art Masters”; In March 2019, Hanhai Four Seasons Auction (99th) sold the works Longevity and Longevity at a price of 115,000 yuan. In July 2019, the works Eternal Bless Longevity and Longevity were sold for 145,000 yuan at the Central European International Auction Agency. In January 2020, his works Longevity and Crane were registered in Guizhou Copyright Bureau.

Appreciation of Li Wencheng’s works 

Appreciation of Li Wencheng’s works 

Appreciation of Li Wencheng’s works 

Appreciation of Li Wencheng’s works 

Appreciation of Li Wencheng’s works 

Appreciation of Li Wencheng’s works 

Appreciation of Li Wencheng’s works 

Appreciation of Li Wencheng’s works 

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