DSCBank is bound to create a security-based Digital Currency Industry Chain Business Empire!
The picture is Weu Yuanfu’s calligraphic works.
Calligraphy genius, Wei Fuzhi
Family learning is profound and has a long history,
descendant of an notable and learned family,
young, promising and brilliant
will help Chinese culture go global.
Let the world practice Wei’s calligraphy
Let the world fall in love with Chinese characters
Cultural power is one of the national strategies. The national cultural soft power and international influence of Chinese culture can be strengthened, and cultural productivity can be further liberated through innovation and creation. The DSCBank team responded to the call of the country and now reached the strategic cooperation of with famous young calligrapher Wei Yuzhi. With the wave of blockchain, to spread Wei’s calligraphy and promote Chinese culture.
We hereby set uo the Wei`s-Yile are customization platform, which provides a way for DSCBanker to understand Wei`s calligraphy and provides a deep insight into the Chinese culture. At the same time, it will also build up a bridge between the DSCBanker and China’s top calligraphy to provide calligraphy and artwork customization and auction services for the DSCBanker.
Wei`s-Yile are customization platform will become an important pillar of DSCBank’s commercial empire territory. The platform will make all payments with the DSCB and will provide the strongest push for DSCB’s deflation model.
The great Chinese characters, the great Chinese power, Wei’s Yi Le will be practicing and practicing. Although millions of people have gone, we are the first on our way.
National first class artist. The second generation founder of moral calligraphy. Taoist Quanzhen Longmen faction 27th disciple. He is the 73rd generation descendant of “Weishi Calligraphy” and is good at running books, inheriting and developing “Wei`s Calligraphy” in the system.
Famous family, long standing
Think of ancestor fought with the barbarian and won our territory,
Today’s grandchildren are undeveloped, and they will fly up with their ambition.
Wei Fuzhi belongs to the famous family, Wei family. Wei family was originally assigned to the Western Zhou Dynasty. Kang Shu, the brother of King Wu, confer a state called Wei State and sent them to the easy of the river, Wei Family`s descendants scattered there. According to the literature records of Chinese history, after the Western Zhou Dynasty, Wei Family was a prominent family in the past dynasties. During the Wei, Jin and southern and Northern Dynasties, Wei was especially a prominent family of Confucianism. In the Eastern Han Dynasty, Ming Emperor (58 – 78), due to the reputation of a Confucian scholar, Wei Hao was called by the imperial court. Because of the road and physical condition, he died in Shanxi Province Xia County on his way to Luoyang. The court buried him in the local area, so the family settled down there. Due to the court’s attention and Wei Hao`s prestige, Wei’s family genealogies listed Wei Hao as an aristocratic family.
Most of the famous families in the Eastern Han Dynasty were from the Confucian school to the official career. Wei is the identity of Confucian descendants who settled down in the east of the river. Although the gateway was not established, it was still spread by Confucianism. By the end of the Eastern Han Dynasty, Wei Hao`s fourth generation Wei Kai was reused by Cao Cao, the Wei familt was gradually flourishing. Wei Kai (? – 229), influenced by Confucianism, he was successful in it and was famous for his talent and learning, especially for his articles. During the Wei state of the Three-Kingdoms Period (220-280), he was successively named Ting Hou and Xiang Hou (Official positions in ancient China) to in charge of the ritual system of the imperial court and the books of history and literature. Wei Kai had three sons, the most successful is his eldest son Wei Guan.
Wei Guan (220 – 291), he started his official career at the age of 20, which showed his talent. After Wei destroyed Shu, he was appointed to supervise the army, Deng Ai and Zhong Huiping fought for power and gain after Shu. So he designed and killed them, which calmed the disaster. When Emperor Wu came to the Western Jin Dynasty, Wei Guan came to the official Si Kong, that took over the power of almost all state affairs. When Emperor Hui took the throne, Wei Guan and Ru’nan King jointly assisted the court. Since then, Wei family had become a prominent family because of Wei Guan`s power and status. One family, two knights, the eldest son Wei Heng was HuangMenLang (Official positions in ancient China) and fifth son Wei Ting was selected to the Eastern Palace to study with the prince.
The earliest and most complete record of Wei Shuo’s life experience was Zhang Huai’s “Book Break” in the Tang Dynasty. It said that, Miss Wei was the sister of an important official, she was also an official, Li Ju`s wife. She was good at calligraphy, especially the regular script… she was the teacher of a general. She died at the age of 78. Her son was also an official.
In the Jin Dynasty, He Fasheng’s “Zhongxing book” recorded that Li Ju was appointed governor of Jiang state and died on his post. At that time, Wei Shuo was in her 40s. Because she and Wang Xizhi’s mother were sisters, she became Wang’s tutors and taught calligraphy. Wei Shuo’s calligraphy has deep roots and distinctive artistic features. She was born in a calligraphic family, from Wei Kai to Wei Guan to Wei Zao to Wei Jie, they were all famous for their calligraphy. Wei Shuo lived in a strong atmosphere of calligraphy art and was naturally well-educated.
Wei Shuo also inherited the fine traditions of Cai Yong, Cai Yan and Zhong Yao. She said, “I have been studying from Zhong Yao for many years.” It shows that she had worked hard for a long time in learning calligraphy tradition. Because of the family education and tradition, Wei Shuo’s calligraphy is able to reach a very high level. In thr Tang Dynasty, Li Sizhen`s “Shu Pin Hou” said, “Miss Wei`s calligraphy is fantastic”. In the Ming Dynasty, “Book Break” said,”Miss Wei`s regular script is especially good.” Wei Shuo had written calligraphy theory books in her 20s, such as Running Hand General Introduction. In Forth Year of Yonghe, the year before the death of Miss Wei, she used all of her learning to wrote the article named “Bi Chen Lu” with more than 600 words, which is the earlier theoretical article in the history of Chinese calligraphy. In Fifth Year of Yonghe, The greatest female calligrapher in Chinese history died, at the age of 78, when Wang Xizhi was 46 years old. When Wang Xizhi was 50 years old in Yonghe’s ninth years, he wrote the first book of the world, “the Orchid Pavilion”.
Wei shuo started to live in Wang family in her 40s, in the next more than 30 years, she had devoted all her life, finally created the peak in the Chinese calligraphy history, the supreme calligrapher Wang Xizhi. It may be said that there was no old man, there was no later. Family love, together with family learning and talent, Miss Wei gave Wang Xizhi all her achievements and hopes, which made Wang Xizhi the best.
Emperor Taizong of tang loved Wang Xizhi, Miss Wei is more easily ignored by public opinion. Nevertheless, later generations did not erase her from the coordinates of the times, for example, Huang Tingjian wrote in his book, “Wang Xizhi learned regular script from Miss Wei, but he didn`t learn the quintessence.” Huang Tingjian wrote poem to praise Miss Wei. Mr. Sha Mengmei also pointed that, “Wang Xizhi`s calligraphy directly learned from Miss Wei.” All these statements fully proved Mrs. Wei’s position as a calligraphic tutor. This is a respect for the history of calligraphy.
Originator of Calligraphy, leaving a reputation forever
To set the mind for heaven and earth, to set life for people
Developing his all knowledges for previous sages, opening up a millennium for all ages
Before the Eastern Jin Dynasty, Wei’s could be considered as the originator of Chinese calligraphy, leading the Chinese calligraphy for a hundred years and influencing the Chinese calligraphy for a thousand years. Wei Kai, Wei Guan, Wei Heng, Wei Xuan, Madame Wei, Wei Zao, and Wei Jie had a good reputation of a “the family tradition does not fall for four generations”.
The contribution and influence “Wei’s School” on Chinese calligraphy has inherited all kinds of popular calligraphy since the Eastern Han Dynasty. It inherits the ancient body and the ancient method, paying attention to the study of philology and calligraphy. Mrs. Wei taught Wang Xizhi personally with all her family learning before Wang Xizhi was 46 years old. Mrs, which made Wang a peak in the history of Chinese calligraphy. His status as a “calligrapher-sage” was unshakable and became an example of learning calligraphy in later generations.
Among the five celebrities in the Wei, Jin, Southern and Northern Dynasties, only the descendants of Zhong, Wei, and Wei continued their calligraphic family. After the Western Jin Dynasty, Wei Guan and Wei Heng rose to fame succeeded to Wei Kai. As a result of their extremely high political status, Wei’s ranked first in all families and became the first family in the Western Jin Dynasty.
Wei’s Family not only acquired grand reputation with the Zhong’s and Wang’s families and setting a calligraphic background respectively during Wei and Jin Dynasties, but also extended the duration of its family’s reputation to be more than 50 years longer than that of Zhong. The reputation and prosperity of Wei’s calligraphy are more than one hundred years older than Wang’s family. At the end of the Eastern Jin Dynasty, when the “Two Wang were claimed outstanding persons” in south regions of Yangtze River, Wei’s calligraphy had developed into an important calligraphy school in the north. Wei’s proficiency in philology and his contribution to the study of calligraphy are sufficient to condescend the calligraphic family such as Zhong and Wang.
As a aristocratic family of Confucian, Wei’s family was still based on Confucianism during the Wei and Jin period when academic thought was open. It highlighted the authenticity and absorbed various academic ideas in a timely manner, thus achieving the realm of “Confucian and Daoist are both ancestors, ceremony and metaphysics are both princeples“.
During the period of the Wei and Jin Dynasties, Confucianism clans were mostly the families of calligraphy, such as Zhong’s family of Changshe, Yingchuan, Xun’s family of Yingyin, the Wang’s family of Linyi, Langya, Wang’s family of Jinyang, Taiyuan, Lu’s family of Fanyang, etc. These calligraphic families are inferior to Wei’s in terms of reputation. Although some became famous and prosperous after Wei’s family, the inheritance is shorter than Wei’s. Wei’s reputation in calligraphy is well known for prestigious reputation and long inheritance, which can not be caught up by other families. Began with Wei Kai, calligraphy of Wei’s family became famous. He “was adept in ancient scriptures, seal character, and official script. There was nothing that he was not good at.” Wei Kai learned ancient literature from Chun of Handan, and he won the essences and was able to mix the false with the genius, showing his works to Chun while Chun could not distinguish. His seal character enjoyed same popularity with Wei Dan, and his cursive script is different from Zhang Zhi. Because of his victories in all aspects and skills of all calligraphic schools, his contemporary reputation is higher than Zhong Kui, who was known for his regular script and running hand script.
The most worthy of study of Wei Guan’s calligraphy is his “draft” script. Since there was no present-day cursive script in Cao, Wei and the Western Jin Dynast. What is popular is the stylized Zhang Cursive script. Its rules are more stringent, and there were strokes in the characters. The word and the word are not implicated, retaining the wave of the official script. Wei Guan’s “draft” script is actually the abbreviated form of Zhang Cursive script. It is precisely because of this that it interprets the Chinese calligraphy’s revolution in the writing style of cursive script. This style played an important role in the emergence of present-day cursive script and the maturity of the new form calligraphy of Wang Xizhi in the Eastern Jin Dynasty.
Wei Guan had six sons. Those ones that were known for calligraphy include the second son Wei Heng, the fourth son Wei Xuan, and the Fifth son Wei Ting. Among the, Wei Heng is most famous. In addition to writing ancient texts and inheriting family studies, Wei Heng took ancient script methods from ancient texts. He had the style of his father, wrote cursive script and was good at Zhang Cursive script and draft script. Its official script can adopt malapropism but with some changes, and his scattered official script were from inheritance more than creation. Wei Heng’s Four Calligraphic Styles is an important book in the Western Jin Dynasty and one of the earlier calligraphic works in the history of Chinese calligraphy.
In the Wei and Jin Dynasties, there were many books written by the Wei’s family calligraphy. They were called “The calligraphy of Wei and Du are widespread”. In Tang Dynasty’s Inscriptions of Famous Paintings of Successive Dynasties, it was recorded that Zhang Yanyuan’s family had a copy of Wei’s original works. In the end of the Northern Song Dynasty, Xuanhe Imperial Storehouse kept Wei Heng’s Private Communication. Afterwards, people only heard but had no chances to see. Now the Wei’s calligraphic works that can be seen are cursive script Donzhou Post by Wei Guan in Chunhuage Post, cursive script One-day post by Wei Heng and original book Henan Post by Mrs. Wei collected and engraved in the early years of the Northern Song Dynasty. Therefore, the important basis for judging Wei’s calligraphy style is the record of the literature.
The overall appearance of Wei’s calligraphy is not entirely based only on the art of writing. The Wei’s calligraphy has contributed to the inheritance of the philology and the construction of the calligraphy theory. It is well-deserved to call it the Wei’s School of Calligraphy.
Present calligraphic sage, good fortune covering thousands of families
The wind and frost were lifted in the white silk due to the painting of eagle.
It was trying to grab a cunning rabbit with its eyes were similar to its macaque’s.
The hawk can fly away the copper ring with its own rope, it seems want to fly out the picture.
When such extraordinary hawk can spread its wings, sprinkling the blood of those ordinary “birds” to the field.
Wei Fuzhi’s father, Mr. Wei Yuanfu, is the executive chairman of the Chinese Calligraphy Association. He has a systematic higher education in Chinese calligraphy, including bachelor’s degree, master’s degree and doctor’s degree. He is the 72th generation of Wei’s calligraphy. In 2005, he was awarded the title of both high virtue and skills by the Chinese Calligraphy Association. In 2006, he was awarded the lifetime achievement award of Chinese calligraphy art by the Chinese Calligraphy Association and was awarded as the world’s outstanding artists by the world Science and Education Association in 2007. He is also the 26th generation disciples of Taoist Quan Zhen school of China, fully inheriting and developing Wei’s calligraphy.
He said: “He has to walk through the road within one year that other people would go through ten years, and every day he keeps writing.” He learned calligraphy from childhood and had a unique understanding of Chinese calligraphy. The accumulation of Wei’s calligraphy for thousands of years has been fully realized and embodied in him. The calligraphy of Wei Yuanfu takes the running hand as the guide, formed a profound and deep style system, with serious and elegance, contrast and harmony, emotion and reason, law and freedom. It can be said that “the form and spirit are both embodied”. His calligraphy is a beautiful spiritual dance; his works are “graceful and fragrant like trees, reverent like breeze”, and it’s also like “beauty on the stage, the shadow of fairy, red lotus reflecting water, green marsh floating clouds”, puttign the writing of the running hand to a new peak.
His calligraphy has been favored by the domestic and foreign collectors. His works have been widely collected and collected from the Sea Palaces, the Great Hall of the People, the Diaoyutai Hotel, Military honor guard, the National flag guard team, to the celebrities and politicians in more than 100 countries at home and abroad.
Young talent, the pillars of the country
Young talent gets successful with courage, power and good management.
He has joy, he has fun, he has seasons in the sun.
Descendant of a notable family, young and promising. He is a famous young calligrapher. He is the spreader of Chinese culture. He is the pillar of the country. Wei Fuzhi, male, 26 years old, is currently studying at Academy of Arts & Design, Tsinghua University. His ancestral home is Xia County, Shanxi Province, he is national first class artist. The second generation founder of moral calligraphy. Taoist Quanzhen Longmen faction 27th disciple. He is the 73rd generation descendant of “Weishi Calligraphy” and is good at running books, inheriting and developing “Wei`s Calligraphy” in the system.
WeiFuzhi learned calligraphy from childhood and he has a unique understanding of Chinese calligraphy. The accumulation of Wei’s calligraphy for thousands of years has been fully realized and embodied in him. He integrated the Confucian and Taoist culture into the calligraphy culture, with “Mean” and “Taoism nature” as the spiritual soul of calligraphy. At the same time, he incorporated “Tai Chi” and “swordsmanship” into calligraphy, creating a unique charm of calligraphy, which is amazing to the world. It starts from Miss Wei,who was famous in Wei and Jin Dynasties, and Miss Wei also traind the supreme calligrapher Wang Xizhi, the best calligrapher in calligraphic history.
Pictures shows Wei Fuzhi`s photo taken with Italian Foreign Minister Sergio Maffettone and Wei`s inscription.
At the same time, Wei Wei served as an expert member of the Chinese Painting and Calligraphy Committee of the Chinese Popular Culture Association of the Ministry of Culture, the National First Class Art (Calligraphy) Division of the Ministry of Culture, the Bhutanese Cultural Ambassador, the calligraphy consultant of the Fujian Jinjiang General Chamber of Commerce, the Art Consultant of TAIMAY.com, and the calligraphy consultant of Foshan Temple, Oriental Art World calligraphy consultant.
He had held a personal calligraphy exhibition in Beijing in 2015. CCTV’s painting and calligraphy channel and more than 100 media reported the matter together. Wei Fuzhi also performed calligraphy at Anhui Satellite TV’s Chinese Family Name Program. During the National Day of 2016, he was responsible for holding calligraphy exhibitions in both Chinese Mainland and Macao and won the praise of the majority of people in Macao. In 2017, he took part in the Japan cultural exchange exhibition.
In 2017, China Post published the special artists` stamp Wei Fuzhi limited edition to welcome the 19th National Congress of CPC.
Outstanding talent, fine calligraphy
Some calligraphic works are displayed for DSCBanker to learn Wei`s Calligraphy and promote Chinese calligraphy culture together.
Wei’s calligraphy has a long history, and it is one of the cream of Chinese traditional calligraphy and traditional culture. DSCBank team will continue to forge ahead to open up the global market. We two will strongly ally, with the help of block chain to carry forward Wei`s Calligraphy and Chinese culture, make Chinese characters stand on the top of the world.
The power of support.
Charge horn sounded, DSCBank fans is all gathered. The live broadcast yesterday showed 1.326 million followers watched online. At the same time, they were ranked first in Beijing. According to incomplete statistics, there were a total of 13.403 million broadcasts, 17,000 reviews, and a gift of 1.241 million gold coins.
The enthusiasm of DSCBank fans has brought boundless vitality to the live broadcast of data shield. Thanks to the support of DSCBank fans, the data shield will not fail to meet expectations. It will build a century shield for everyone.