Zhang Tongyun, A National First-class Artist And Director Of The China International Artists Association, Pioneered A New International Height For Chinese Art

Recently, National First Class Artist, Director of China International Artists Association and Zhang Tongyun received important interviews from hundreds of domestic and foreign media. These interviews were broadcast in corresponding art programs. Mr. Zhang Tongyun is a member of China International Artists Association. Director of China International Artists Association, senior calligrapher; senior researcher of China International Center for Modern Art Research, one of the first artists to report and publish works, has opened a new level of international recognition of Chinese painting and calligraphy.

A Brief Introduction to Zhang Tongyun's Art

A Brief Introduction to Zhang Tongyun’s Art

Zhang Tongyun was born in Lichuan City, Hubei Province on November 1947. pseudonym Yeshan, male, born . Senior high school art teacher; National first-class artist; China-Kyrgyzstan Engineering Artist in one belt and one road Silk Road Cultural Tour; The works and resumes are titled “Commemorating the 40th Anniversary of Reform and Opening up – Zhang Tongyun” on the “Building Dream Space” column of CCTV’s Old Story Channel, with the national title “Zhang Tongyun: Looking for Home and Country Landscape in Green” and the national title “Zhang Tongyun – Writing on Green, Elegant and Green, Mountains Overlapping” on today’s headlines. It also entered the “Culture and Art Talents Database of the Ministry of Culture”, “Encyclopedia of Industry Celebrities – Influential Figures Database” and “Database of Chinese Contemporary Calligraphy and Painting Masters”; The 18th China Century Gathering Organizing Committee and CCTV’s “Smart China” column awarded the award to Chinese contemporary artists of both moral and artistic merit. China Collection Guide Network Signed Artist; Member of China International Artists Association; Director of China International Artists Association, senior calligrapher and calligrapher; Senior Research Fellow, China International Center for Modern Art Research; Researcher of China Artists and Calligraphers Association.

Appreciation of Zhang Tongyun's Traditional Chinese Paintings
Appreciation of Zhang Tongyun’s Traditional Chinese Paintings

He loved art from his childhood. His Chinese calligraphy and painting works or achievements have won prizes, entered exhibitions or been compiled more than 670 times in 10 countries such as Russia, the United States, France, Japan and 26 provinces, cities and autonomous regions in China. His personal data and works are displayed in the columns of “Decision – making China Influential Figures Database” and “Building Dream Space” of CCTV’s old story channel. The work “Spring on the Mountain and Spring on the Mountain” was included in the Silk Road Cultural Tour in the belt and road initiative – the State Ceremony for Cultural Exchange between Kyrgyzstan and was collected by the Prime Minister’s Office of Kyrgyzstan. Calligraphy and painting works have won or entered more than 140 events such as the People’s Daily Gold Cup Award for Artists, the World Chinese Fine Art Exhibition and the Olympic Chinese Painting and Calligraphy Art Exhibition World Tour. Among them, there are 6 special gold awards, 48 first-class awards and 15 silver awards. The works and resumes are included in “Appreciation of People’s Art by Works of Contemporary Chinese Calligraphers and Painters” published by China Federation of Literature and Art Publishing House. Sotheby’s (Hong Kong) Pictorial – Recommended Collection of Beautiful Chinese Contemporary Art; The works are edited by the China Federation of Literary and Art Circles and published by the People’s Fine Arts Publishing House, including Liu Dawei, Huang Yongyu and Fan Ceng’s “Top Four Leading Figures in Painting”. China Federation of Literature and Art Publishing House published “Long March Praises the Dream of a Powerful Nation in the Heart of a Nation”; The Great Master of Chinese Calligraphy and Painting, published by China Art Archives Publishing House, and Innovating China, published by China Culture Publishing House. Records of the innovations and dreams of leading contemporary art figures, China National Photography Art Publishing House’s “Prosperous Era and National arts – Leading Chinese Art Masters” and China Culture Publishing House’s “Innovative China”. The Art of Valuing Treasures, published by World Sinology Magazine. Taste collection; Invited to edit CCTV’s high-definition channel “Chinese Painting and Calligraphy – China’s Business Card to the World 2018 Classic Calendar”; Joined in the editorial of China Association for the Promotion of Science and Technology Industry, and published by China Business Publishing House, “Innovative Achievements and Outstanding Figures”; It is included in “China’s Innovation Power – A Collection of Achievements of” 100 Experts “Published by China News Publishing House; He has compiled more than 200 ancient books such as “the belt and road initiative’s Famous Chinese Masters Toward the World” published by China Global Culture Publishing House. Resumes and works of art are reported on more than 100 media networks, including Global Art Network, Today’s Headline, International Executive Line, Global Headline, global person Network, China Network, International Phoenix Network, China Network, etc.

Appreciation of Zhang Tongyun's Traditional Chinese Paintings
Appreciation of Zhang Tongyun’s Traditional Chinese Paintings

“The techniques outlined in the landscape meticulous painting are tinged with green and elegant feelings.” – Zhang Tongyun, account of a famous painter

The landscape of ink and wash painting is usually based on freehand brushwork, with few large-scale brushwork. This is because the mountains and rivers are majestic. If you use your writing skills, you will be tired of fine structures, tired of fine dyeing, laborious and demanding. Without concentration, you will never succeed. Therefore, the current landscape, usually take a freehand shortcut.

Zhang Tongyun studied landscape painting. Although he knew there was a shortcut, he chose the right path. He painted mountains and constructed water with full concentration, so he can write and complete works, meticulously, defying great efforts, and only works for art to achieve beauty, presenting us with exquisite landscapes one after another.

For example, “The spirit of Spring Floats” constructs mountains, draws stone bridges, and draws distant branches and near leaves with meticulous brushwork. Because of the precise lines, the rock shapes are all of clear mountain texture. Painted mountain is a mountain, painted rock is rock, there is no place to steal a pen, there is no place to be brief, it can be said that it is a fine brushwork into the landscape, becoming a fine model of landscape.

Appreciation of Zhang Tongyun's Traditional Chinese Paintings
Appreciation of Zhang Tongyun’s Traditional Chinese Paintings

If you look at “Spring Festival Song from the great valley”, the mountains become forest. Even if it is a long line, it is also a delicate depiction. It hangs down all the way, such as waterfalls. It is in an orderly way. It can form a forest of mountains with meticulous lines. I’m afraid there are not many people in the painting arena who can do this.

Where did Zhang Tongyun’s technique of long-line forming of construction pen originate and why did it succeed? Obviously, his theory and Research on traditional Chinese line modeling have both entered the country. He has thoroughly studied Wu Daozi’s skill of using Shenyi line to present everything, and controlled the achievement of the pen point. Therefore, Zhang Tongyun’s artistic skill of delineating rocks with his meticulous brushwork is the quality of painting saints.

This landscape painting more prominently shows the deep power of lines forming rocks. The lines can be tilted and elongated, and they can also run in short and short directions. The rock texture can be varied according to the texture lines. The lines can be stacked one on top of the other, and the pens can be put into the clouds. It can also stand tall and stand tall to show off its uniqueness. Then we look at the dyeing of the picture: green is laid out, and the tree is formed by dyeing. The shape of the line is hidden behind the color ink. The line is boneless and tough, and the hidden line is graceful. This is the pine described by him. The real color ink is loose, and the shape is elegant and unique.

Appreciation of Zhang Tongyun's Traditional Chinese Paintings
Appreciation of Zhang Tongyun’s Traditional Chinese Paintings

Zhang Tongyun’s landscape uses green as its color, with small patches of crimson color lining between them to give a pleasing impression of a little red among the thousands of green bushes. Green hills and pine trees, red sun and auspicious clouds are indeed pleasing to the eyes and heart, and the air is full of magic. For example, the fan landscape “Clear water and green mountain full of love” is a river of still water, with green hills on both sides and light clouds supporting red sun. The green and green blend together, and the red and green are reflected in each other. The landscape and atmosphere between heaven and earth are completely drawn. Fan – shaped bridges, mountains and rivers, a school of elegant culture, have become the artistic masterpieces in landscape painting that are full of vitality, quiet and elegant. If you hang it up and admire it, you can enjoy it; if you collect it and hide it, you can reap the benefits; if you collect it, you can reap the artistic value and the value of photographing and hiding it. In addition, “Spring in the Front of Mountain and Spring in the Back of Mountain” is also so elegant and colorful that it is also the first choice for pleasing collection.

Appreciation of Zhang Tongyun's Traditional Chinese Paintings
Appreciation of Zhang Tongyun’s Traditional Chinese Paintings

Of course, Zhang Tongyun’s landscape paintings need to be elaborately crafted and have magical powers when they need freehand brushwork. His impressionistic landscape is characterized by wonderful and changeable chapped pens. For example, the landscape in Spring River Love almost abandons the constraint of lines. The chapped pens are like horses, galloping in Liao Yuan, and free and unconstrained. The dragon leaps into the clouds, making the best of the chapped pens. The shape and meaning of the mountains, the clouds, the mist, and the loose rock are presented one by one. The farther you look at them, the more energetic they are, and the more you look at them, the more you fall in love with them. Close look at the nature show, far look at the most concern. Zhang Tongyun’s impressionistic brushwork in landscape painting has also become exquisite. Spring River Love has become a representative of Zhang Tongyun’s freehand brushwork in mountains and waters to achieve great beauty, and is also a proof of his attainments in freehand brushwork to achieve beautiful scenery.

 – Luo Cheng, Director of Chinese Ink Painting Art, November 10, 2017

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